The Artist
Jack Madson knows down in his bones that a painting is an organism of
light; that it must illumine, not penetrate what is meant to remain an
enigma. His abstracts move us adeptly from one relation to the next,
tracing a route of visual insight that skirts the edges of our
associations. Yet with Madson we get no trickery or easy conclusions;
he surrenders symbols in exchange for enlightened ascent to the sources
of joy.
Given his uncanny amplitude, Madson cannot be content with canvas
alone. A consummate painter, he can also forge metal with masterful
strokes. He can carve and adorn authentic Noh masks, hand-build or
restore a tansu chest. He sculpts or fabricates stunning objects from
bone, shell, stone, wire, clay,
cord or feathers. His color slides are arrestingly incandescent, and he
plays haunting music on bamboo flutes that he makes for himself and
friends. The two dozen years Madson lived in Kyoto are a key to who he is:
a renaissance man of the West with Asian currents coursing through his
veins.
--Stewart Wachs
Associate Professor,
Kyoto University of Foreign Studies